Herbie Hancock: Crossings
In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us … Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point. This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.
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PRODUCTIONRecording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason Production: David Rubinson
ARTIST(S)"Crossings" - Herbie Hancock (el-p, p, mellotron, perc); Bennie Maupin (ss, fl, b-cl, fl, perc); Eddie Henderson (tp, fhg, perc); Julian Priester (tb, perc); Patrick Gleeson (synth); Buster Williams b, perc); Billy Hart (dr, perc); a.o.
CATALOGUE#Warner BS 2617
Speed / Pressing