Prokofiev : Classical Symphony

Prokofiev : Classical Symphony

Prokofiev : Classical Symphony - Glinka : Kamarinskaia Fantasia, A life for the Czar - Borodin : In the steppes of Central Asia

Ernest Ansermet, Orchestre de la Suisse Romande (1961)

Decca SXL 2292

Speakers Corner Records : LP 180 gram

Brand New and Sealed Record

  • Contents & Details

    Sergei Prokofiev (1891 - 1953) :
    A1 - Symphonie classique in D Major, Op. 25
         - 1st Movement : Allegro
         - 2nd Movement : Larghetto
         - 3rd Movement : Gavotte - Non troppo allegro
         - 4th Movement : Finale - Molto vivace
    A2 - March and Scherzo from The Love of Three Oranges
    Mikhail Glinka (1804 - 1857) :
    B1 - Kamarinskya Fantasy
    Alexander Borodin (1833 - 1887) :
    B2 - In the Steppes of Central Asia
    Mikhail Glinka (1804 - 1857) :
    B3 - A Life For The Czar (Ivan Susanin) - Overture

    Thankfully musical genres have been spared from being described with new buzz words such as "Kleinkust" which could be translated as "Small Arts". But music in small forms - maybe set down on just a few pages of manuscript paper - certainly exists. Prokofiev's miniature, the Symphonie classique, combines several superlatives as regards both its musical notes and form: it is only 15 minutes long, contains a wealth of melodic ideas, and is the most performed of all Prokofiev's symphonies.

    This four-movement composition employs traditional forms such as the sonata form in the outer movements and the pre-Classical dances menuet and gavotte. The work's carefree esprit, serenade-like humor, and courtly elegance is delightful throughout and culminates in a high-spirited sturm und drang Finale.

    On the B side is Glinka's Kamarinskaya Fantasia, only eight minutes long but captivating with its extremely closely-knit compositional style, and his Overture to A Life for the Czar - a showpiece whose leitmotifs are truly forward-looking. Alongside these classical-romantic musical gems, Borodin's In The Steppes of Central Asia acts as an ideal programmatic amalgamation of the Orient and the Occident, and fits perfectly into this choice of repertoire.

    The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

    This Speakers Corner LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head, and was pressed with virgin vinyl at Pallas. More information under

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